Liesl Geiger-Kincade began her career studying architecture's most intangible quality, light. After earning her Masters of Architecture from Yale, where she received the Anne C.K.Garland Award, Geiger explored the subject with architectural glass designer James Carpenter, working on notable public buildings around the world. After, she undertook a Fulbright Fellowship in Helsinki, Finland, where she spent a year studying glass and light in architecture at the University of Industrial Arts, as well as in the buildings of architect Alvar Aalto.

Before forming her own studio in 2003, she apprenticed with New York architecture firms including Robert A.M. Stern Architects, Peter Marino Architect and Peter Gluck and Partners, where she designed everything from modern Madison Avenue boutiques and Brooklyn townhouses to classical regional farmhouses and stone grottos in Napa Valley. Along the way, she was assembling the building blocks that would not only inform her practice, but also her book, The Essence of Home: Timeless Elements of Design, which was published by The Monacelli Press in November, 2007.

Geiger received a BA summa cum laude from Yale and afterwards studied architecture in France.

Geiger first fell in love with design in grade school. As a student in a Frank Furness structure (the former Bryn Mawr Hotel, outside of Philadelphia), she spent 12 years experiencing and sketching the building's stone, glass, and metal handcraft. The Furness spaces, such as the voluminous main residence hall capped with a red slate roof and their details remain engraved in her mind.

Geiger is a licensed Architect and a member of the AIA.

STUDIO GEIGER ARCHITECTURE

P 212 620 0050

NEW YORK

253 West 28th Street, Floor 4

New York, NY 10001

PRINCETON

880 Lawrenceville Road

Princeton, NJ 08540

SHELTER ISLAND HOUSE

SHELTER ISLAND, NEW YORK

3,350 sq.ft. Main House, with 2,500 sq.ft. Guesthouse / Garage

Whenever on Shelter Island, the client uses his motorboat much as one might normally drive a car: he picks up guests at the ferry, eats lunch in town, and takes architectural tours of the island with it. In fact, the idea of being on Shelter Island for him is to be constantly near the water, and the design of his house allows for this effortlessly. The back of the house which faces Dering Harbor and the client's motorboat dock actually acts as a second front of the house, with large openings and strong symmetric forms inviting guests from the yard, terraces and pool, where all of the daily activities take place. While on the property or in the house, one is always at most only a few steps away from experiencing the harbor. Even from the Motor Court, the placement of glazed windows and doors allow transparency through to the sailboats and water beyond.

To come upon these two structures under the towering Oak trees is to recognize the familiar island vernacular architecture and its minimal material palette of white shingles, deep red clay brick, and dark green shutters and evergreen plantings. To spend time in this house is to understand that the organization is about experiencing the landscape, light, views and connections between and within the structures. The idea behind the simple sometimes classical detailing is to dress up the house, while allowing it to be the casual, All-American summer house that it wants to be. Construction: Delamere Building

  1. Main House
  2. Guest House
  3. Motor Court
  4. Pool
  5. Boat Dock
  1. North Terrace
  2. North Entry
  3. Entry Hall
  4. Powder Room
  5. Living Room
  6. Sitting Room
  7. West Terrace
  8. Dining Room
  9. KitchenEntry Terrace
  10. Mud Room
  11. East Terrace
  1. Upstairs Hall
  2. Ante-Chamber
  3. Master Bedroom
  4. Dressing Room
  5. Master Bath
  6. West Porch
  7. Bedroom
  8. Wash Area/Bath
  9. East Porch
  1. Entry Hall
  2. Cabana
  3. Terrace
  4. Changing Room
  5. Utility Room
  6. Garage
  7. Storage
  8. Upstairs Hall
  9. Guest Master Bedroom
  10. Balcony
  11. Guest Master Bath
  12. Bedroom
  13. Bath
  14. Playroom